6,506 Royalty-Free Audio Tracks for "Kill Patrick 1 By Patrick Kilpatrick (album)"

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Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.
Author: Arrangement Hyacinth (talk) (Uploads)
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The Polka from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.
Author: Composition: Bedřich Smetana Transcription: Lt. Col. Jack Kline, United States Marine Band Performance: United States Marine Band
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Movement II of Ottorino Respighi's The Pines of Rome, entitled The Pines Near a Catacomb. It is a is a majestic dirge, representing pine trees near a catacomb in Campagna..
Author: Ottorino RespighiThe President's Own Marine Band
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The Dance of the Comedians from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.
Author: Composition: Bedřich Smetana Transcription: Lt. Col. Jack Kline, United States Marine Band Performance: United States Marine Band
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Rondo alla turca tzw. "Marsz turecki" z Sonaty fortepianowej A-dur (KV 331) w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Rondo alla turca (KV 331, 3. Movement) performed by Romuald Greiss on old Budynowicz piano from 1850
Author: Untitled
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First Suite in E-flat for Military Band, Op. 28, No. 1: III. March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 5 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.
Author: Untitled
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The Furiant from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances. Furiant z opery Sprzedana narzeczona Bedřicha Smetany w transkrypcji i wykonaniu orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych (ang. U.S. Marine Band) z albumu Courtly Dances. Čeština: Furiant ze Smetanovy opery Prodaná nevěsta, nahraná v přepisu orchestrem U.S. Marine Band pro album Courtly Dances. Македонски: Танц од Продадената невеста на Беджих Сметана во изведба на оркестарот на Морската пешадија на САД.
Author: Composition: Bedřich Smetana Transcription: Lt. Col. Jack Kline, United States Marine Band Performance: United States Marine Band
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Weiche, Wotan, weiche de l'opéra de Richard Wagner Das Rheingold (L'Or du Rhin), interprété en 1907 par Ernestine Schumann-Heink (1861–1936)
Author: Richard Wagner – Ernestine Schumann-Heink
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First Suite in E-flat for Military Band, Op. 28, No. 1: I. Chaconne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.
Author: Untitled
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The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Corps Band, and performed by the Concert Band of the United States Navy Band
Author: Composition: Hector Berlioz Transcription: Lieutenant Colonel Jack T. Kline Performance: U.S. Navy Band Concert Band
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First Suite in E-flat for Military Band, Op. 28, No. 1: II. Intermezzo performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.
Author: Untitled
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Johann Strauss II's overture to the opera The Gypsy Baron, played by the U.S. Marine Band for the album Overtures.
Author: Composition: Johann Strauss II Performance: United States Marine Band
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Prelude in C-sharp minor, Op. 3, composed and performed by Sergei Rachmaninoff. This is Edison Diamond Disc 82187-R, Matrix 6742-C-2-3 [2-1]. Recorded in 1919, released in December 1920. Українська: «Прелюдія до-дієз мінор», написана і виконана Сергієм Рахманіновим, випущена в грудні 1920 року.
Author: Untitled
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The overture to Oberon, or The Elf King's Oath, performed by the U. S. Navy Band's Concert Band
Author: Untitled
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Wesendonck Lieder n°5 (Träume) composé par Richard Wagner, interprété en 1911 par Ernestine Schumann-Heink (1861–1936)
Author: Richard Wagner (composer), Ernestine Schumann-Heink (singer)
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Es ist genug, Schlusschoral der Kantate O Ewigkeit, du Donnerwort BWV 60; Melodie: Johann Rudolf Ahle
Author: Johann Sebastian Bach (MIDI file Rabanus Flavus)
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Movement III of Ottorino Respighi's The Pines of Rome, entitled The Pines of the Janiculum. It is a nocturne, supposedly set near a temple, on the Janiculum hill, of the Roman god Janus. The actual sound of a nightingale is used in this movement.
Author: The President's Own Marine Band
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Edward Elgar's Pomp and Circumstance in D, Opus 39, No. 1 performed by the United States Marine Band
Author: United States Marine Band
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Italiano: Apertura de La Bella Addormentata di Pëtr Il'ič Čajkovskij, London Symphony Orchestra diretta da Pierre Monteux (DECCA, 1958) Opening of the The Sleeping beauty by Tchaikovsky, Pierre Monteux conducting London Symphony Orchestra (DECCA, 1958)
Author: Untitled
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La Danza performed by the Strolling Strings of the United States Air Force Band. Track 17 from Air Force Strolling Strings 40th Anniversary (1994).
Author: Composition: Gioachino Rossini; Performance: United States Air Force Band, Strolling Strings; Recording: United States Air Force
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King Champagne from Die Fledermaus by Johann Strauss II performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 16 from Wintertime (1999).
Author: Composition: Johann Strauss II; Arrangement: Robert Thurston; Performance: United States Air Force Band, Singing Sergeants and Concert Band; Recording: United States Air Force Band
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Hector Berlioz's Overture to the opera Benvenuto Cellini, played by the U.S. Marine Band for the album Overtures.
Author: Composition: Hector Berlioz Performance: United States Marine Band
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An orchestrated version of Hungarian Rhapsody No. 2, performed by the U. S. Navy Band's Concert Band
Author: Untitled
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An example of how the subtonic serves as a secondary dominant to the mediant (in A minor: G is the dominant of C). From Bach's Chorale Ach wie flüchtig, ach wie nichtig, BWV 26. It is a reduction of the opening of the "Choral" or sixth movement.
Author: Hyacinth
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Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.
Author: Untitled
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Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.
Author: Untitled
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The United States Air Force Band joined with percussionists from the Marine Band, Army Band, and Coast Guard Band perform a percussion rendition of the American patriotic classic, "When Johnny Comes Marching Home". Arranged by USAF Band composer and staff arranger, Master Sgt. John Bliss. Done in celebration of Veterans' Day. Credits: Colonel Don Schofield - Executive Producer Master Sgt. Adam Green - Producer Chief Master Sgt. Dennis Hoffmann, Master Sgt Jeremy Koch - Videographers Technical Sgt. Tim Hilgert - Video Editor Technical Sgt. Jim Woolf - Audio Engineer Musicians: Master Sgt. Adam Green, The United States Air Force Band “Chief’s Own” - marimba, vibraphone, xylophone, orchestral bells, field drum Sergeant 1st Class Sidonie McCray, The United States Army Band “Pershing’s Own” - vibraphone, xylophone, orchestral bells Master Sgt. Kenneth Wolin, “The President’s Own” United States Marine Band - xylophone, shekere, vibraphone, orchestral bells, field drum Staff Sgt. Michael Hopkins, “The President’s Own” United States Marine Band - orchestral bells, cowbell, vibraphone, xylophone Musician Petty Officer 1st Class Nathan Lassell, The United States Coast Guard Band - drum set, vibraphone, xylophone, orchestral bells
Author: Composition: Patrick Gilmore Arrangement: Master Sgt. John Bliss Performance: Percussionists from the the United States Air Force Band, the United States Marine Band, the United States Army Band, and the United States Coast Guard Band Recording: United States Air Force
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Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.
Author: Untitled
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Sergei Rachmaninoff performing Waltz in E flat major, Op. 18. Composer: Chopin. Instrument: Steinway concert grand piano. Valse en mi bémol majeur, op. 18 de Chopin, interprétée sur un grand piano Steinway par Sergei Rachmaninoff en 1921.
Author: Untitled
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Richard Strauss' Burleske (1886), performed by Neal O'Doan with the Seattle Philharmonic Orchestra in 1991. Conducted by Nico Snel.[1]
Author: Richard Strauss (composer, June 1864 – 8 September 1949) Neal O'Doan (piano solo) Nico Snel (conductor) The Seattle Philharmonic Orchestra.
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Sonata b minor, Domenico Scarlatti, Kirkpatrick 87, Kirnberger temperament, digital harpsichord (Yamaha CLP-470) Sonate h-Moll, Domenico Scarlatti, Kirkpatrick 87, Kirnberger-Stimmung, digitales Cembalo (Yamaha CLP-470)
Author: Membeth
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Movement I, "Chaconne", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band. 日本語: グスターヴ・ホルスト作曲『吹奏楽のための第一組曲』より第1楽章「シャコンヌ」。指揮:Frederick Fennell、演奏:米国海兵軍楽隊、録音:1997年4月24日Joseph Meyerhoff Symphony Hall(MD Baltimore)。
Author: w: Gustav HolstThe President's Own Marine Band
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Una furtiva lagrima from Gaetano Donizetti's 1832 opera L'elisir d'amore, sung by Enrico Caruso on 26 November 1911 for the Victor Talking Machine Company in Camden, New Jersey.[1]
Author: Enrico Caruso, Gaetano Donizetti
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Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.
Author: Gustav Malher, interpreté par Dietrich Fischer-Dieskau, avec le Berliner Philharmoniker dirigé par Rudolf Kempe.
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Kindertotenlieder, V. In diesem Wetter, in diesem Braus. « In diesem Wetter, in diesem Braus », chant n° 5 des Kindertotenlieder (Chants sur la mort des enfants), composé en 1904 par Gustav Mahler.
Author: Gustav Malher, interprété par Dietrich Fischer-Dieskau, avec la Philharmonie de Berlin dirigée par Rudolf Kempe.
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Kindertotenlieder, III. Wenn dein Mütterlein.
Author: Gustav Malher, interprété par Dietrich Fischer-Dieskau, avec le Berliner Philharmoniker dirigé par Rudolf Kempe.
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Sansoen Phra Barami - 1st Infantry Regiment, King's Own Bodyguard (Odeon Record No.101253) ไทย: เพลงสรรเสริญพระบารมี บรรเลงโดยแตรวงทหารมหาดเล็ก บันทึกเสียงลงบนแผ่นเสียงตราโอเดียนตราตึกสีน้ำตาล (รหัส 101253)
Author: Narisara Nuwattiwong
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Melodie von Heinrich Schütz (ursprünglich Psalmlied) zu Ich weiß, woran ich glaube, Evang. Gesangbuch 357
Author: Melodie: Heinrich Schütz 1628/1661; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Serenade in E♭ major for 13 wind instruments, Op. 7, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from Fancies, Toyes and Dreams (1994).
Author: Untitled
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Arrangement from Richard Wagner's 1876 opera Götterdämmerung: Siegfried's Funeral March and Finale, Music of Richard Wagner (track 5)
Author: Richard Wagner, performed by the United States Marine Corps Band, recorded December 8–11, 1981 at w:Lisner Auditorium, w:George Washington University, w:Washington, DC, funeral march transcribed by Howard Bowlin and finale transcribed by John Bourgeois, who was the Band Director.
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Kindertotenlieder, I. Nun will die Sonn' so hell aufgehn.
Author: Gustav Malher, interpreté par Dietrich Fischer-Dieskau, avec le Berliner Philharmoniker dirigé par Rudolf Kempe.
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Mandoline, mélodie composée en 1882 par Claude Debussy (1862-1918) sur un poème de Paul Verlaine (1844-1896), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Mandoline, a melody composed in 1882 by Claude Debussy (1862-1918), text by Paul Verlaine (1844-1896), performed in 1913 by Nellie Melba (1861-1931).
Author: Claude Debussy (1862-1918), Paul Verlaine (1844-1896), Nellie Melba (1861-1931)
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Etiuda Ges-dur, op. 25 nr 9, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.
Author: Untitled
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The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Band, and performed by the Marine Band conducted by Lt. Col. Cline at Van Wezel Hall, Sarasota, Florida in 1977
Author: Composition: Hector Berlioz Transcription: Lieutenant Colonel Jack T. Kline Performance: U.S. Marine Band
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Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.
Author: Gustav Malher, interprété par Dietrich Fischer-Dieskau, avec la Philharmonie de Berlin dirigée par Rudolf Kempe.
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